We are delighted to announce we have been officially selected to screen at the Cinema on the Bayou Festival on Saturday, January 28th at 10:30 a.m. as a part of the Narrative Shorts Series! The COTB Fest takes place in Lafayette, Louisiana and COYOTE GIRL will be screened at the Acadiana Center for The Arts.
It’s truly an honor to be screened at a festival that “is committed to presenting nationally and internationally acclaimed documentary and narrative fiction films and filmmakers with truly original voices. ” We are proud to be considered in such good company… And we must say, the COTB Fest promises to be a blast:
“…screening new, cutting edge, fiction and non-fiction films from around the world in a relaxing environment, laced and embellished with Cajun culture’s unique identity markers, exquisite cuisine and great music. We screen uncompromising, thought-provoking films that make us laugh and cry; engage in serious discussions about matters important to independent filmmakers; and have a lot of fun and good times with old friends and make important connections with new friends who share our commitment to quality film. “
The festival is in it’s 12th year and has selected quite an inspiring array of films. We hope that if you can, you’ll make it to the screening of our little film named “Best Experimental Film” at the Boston International Film Festival, and join in on the vibrant range of art and culture of Lafayette!
For those who couldn’t make it, and for those who are nostalgic, here’s a little trip back in time with company member and lead actress, Gail Shalan (Riley Ann/Coyote), who represented the company at this year’s Boston International Film Festival… Enjoy:
Big news! A little over a year since we wrapped shooting COYOTE GIRL (the short film) and we’ve finally been accepted to an East Coast Festival, better yet- it’s in Boston, which means all my friends, family and local community can finally see our film on the big screen (For that matter- so can I)!
The festival is approaching! Sims and Biggs have asked my boyfriend Ben and I to represent the company, as they will be in NOLA during the screening. Happy to oblige! I send out invitations (pretty and personalized, of course) and let the internet know WE ARE SCREENING IN BOSTON!
Early April 2016:
And I have to pick out a red carpet outfit… Isn’t my job hard and terrible??? So I try on this silk jumpsuit, and it’s a go! Thanks Anthropologie!
Wednesday, April 13th:
I venture downtown for the first of many times this week to pick up our all-inclusive filmmaker badges and a festival program. I had stopped by a little earlier to give the coordinators some post-cards. Every time I meet someone knew who asks what film I’m a part of (or recognizes me), and can’t wait to say how much they loved COYOTE GIRL, how moving and strange it was. I’m feeling pretty special:
Thursday, April 14th:
Finally the festival is about to begin! I’ve made a screening schedule for the weekend, and a back-up list of films, too.
After primping and pampering all day, my date and I head to the AMC/Loews Theatre for the red carpet, and then the opening night of films. Check out Ben with his new friends:
We meet several interesting filmmakers at the festival, and happen to run into fellow BU alum, Zachary Clarence, whose short film, MOTHER’S LOVE, will also be screening at the festival! Every one is so kind and friendly. Some people are Boston locals, some have been touring the country with their films, and and some filmmakers are from places like Italy, Korea, Haiti and Germany.
Here are some glamorous red carpet pics (shout out to Bimal Nepal and The Foundations TV) :
We got our great seats for the stunning short, OUT OF THE VILLAGE, from Ghana, as well as the powerful Canadian feature, ACROSS THE LINE:
Friday, April 15th:
In the morning, Festival Director, Patrick Jerome, held a very informative panel on post-production fundraising and independent distribution. Although I’d never taken part in any of these aspects of film production before, I thought I’d stop by and take some notes for Sims and Biggs. I learned a lot!
Then it was time to catch some more films. I saw devastating documentary, UPSIDE DOWN, and the subtle and dark comedy, LABIA, from Argentina.
Next up was the bittersweet short, FATA MORGANA, and one of mine and Ben’s favorite features, LIKE LAMBS.
After each film, the festival facilitators would hold a Q&A with whatever filmmakers were present. It was delightful to experience such an engaged and curious audience at each screening. Even the shorts got their due diligence as the works of art they truly are.
Saturday, April 16th:
It’s the day of the screening! Also, the busiest day of the festival. I had plenty of screenings on my list and wanted to save up energy for our screening, too. I stopped by the 3:30 session of shorts and saw Zach’s film along with M.STEINERT AND SONS, THE TOYMAKER, TEREZA’S HOUSE, THE ELEVATOR, and 12 KILOMETERS.
Then I took in the screening right before ours at the beautiful Paramount Theatre Screening Room (where our film would also be screened). I got to see my good friend (and castmate from last summer’s The Winter’s Tale) in the Sci-Fi short, THE ASCENDENTS, and then caught a wonderful, feel-good drama-dy about a woman’s first triathlon experience, called TRI.
I stayed for as much of the Q&A as possible, and snuck out to meet friends & family before our screening. But when I got outside, I heard that our screening was SOLD OUT! So I snuck back in and saved us a row of COYOTE GIRL seats.
Our session was very well curated (as was the whole festival). Before our film, the short HIS LAST GAME screened. It was a 9 minute realistic, but poetic, ode to a dying man fading away into his degenerative disease. A perfect thematic opener to our film and the Jay Gianonne feature, IT SNOWS ALL THE TIME, about a son coming home to care for his family as his dementia-ridden father is diagnosed.
Although each film was very different in genre, they ran with a common theme. It was a wonderful opportunity for our artistic, avant-garde film to have an audience that was simultaneously surprised by the stylistic choices and deeply connected to the subject matter. Our film was very well received, and Rick Sands (our DP) and I were able to field all sorts of questions from “How did you get that gorgeous panoramic shot at the end?” (A drone camera) to “What did the Coyote mean?”(we’ll leave that up to you, dear viewer). Our film looked GORGEOUS on the big screen, and it was all-in-all an incredibly rewarding experience.
Sunday, April 17th:
After several long days, and much pent-up tension released, I enter Sunday in a happy, weary daze. But there are many films on my list today. I barely sneak into a screening of the sold-out OF FORTUNE AND GOLD. What a beautiful film with superb direction and breath-taking shots of the Southwest!
The filmmakers (Jared Marshall, Derek Marshall, and Valerie Hinkle), with whom I’ve been lucky enough to have several great conversations this weekend, invite Ben and I to attend their after-screening party.
After that I rush on over to the screening of COMING THROUGH THE RYE which has been on my list for weeks. It’s the (based-on-fact) story of a young high school student’s quest to find J.D. Salinger (played by Chris Cooper) and it’s a delight! Before it plays, there is a whimsical and wonderful short called AIRHEAD, and another locally made film called FROSTING.
Monday, April 18th:
A long weekend indeed, we reach Monday and the closing night party. I’m happy to see my OF FORTUNE AND GOLD friends there, so we grab our Hendrick’s-sponsored cocktails and listen to some lovely poetry and song offerings from the kind and inspired cast of festival volunteers.
I also get to sit down and have a wonderful chat with many filmmakers, some films I caught, some I’ll have to see at the next New England festival they play. But most of all, it was a pleasure to sit down with Festival Director, Patrick Jerome, and reap the benefits of his wealth of knowledge on filmmaking in the Boston community.
At the end of the night the festival announced some awards and to my great surprise, the first film they called was COYOTE GIRL for “Best Experimental Film”! What an honor!
To learn more about the Boston International Film Festival check out their website and Facebook page.
Thanks again to Bimal Nepal and The Foundations TV for such wonderful coverage of the festival and to Patrick Jerome and all of the festival volunteers, for pulling together such a well-curated and successful festival!
After several wonderful Mid-Western festivals near our shoot location (and our Westfield friends & family) we’re delighted to have the opportunity to screen in our home state of Massachusetts.
The festival promises a diverse crowd of inspiring fellows : ” … a festival dedicated to rewarding artists for their individual talents and for their creative expression through the medium of film. The festival strives to bring together in Boston local, national and international filmmakers by promoting the world’s most artistic and creative independent and experimental films.”
On BostonIFF’s welcome page Governor Baker says, “The Boston International Film Festival celebrates those artists who, through the power of cinema, capture our imagination to make us laugh and cry, think and change” and Festival Founder, Patrick Jerome, says, “The filmmakers will be sharing their diverse and powerful visions of humanity. Our greatest hope is that through these films the audience will be inspired and encouraged to embrace all the world’s cultural diversity and work towards a more understanding, peaceful world.” Sounds pretty great to us!
We’ll see you at the Route 66 Film Festival on Saturday, November 7th. Our film will be playing in Session 5 held between 7 and 10 pm. The festival is in Springfield, IL, just West of our shoot location on the Biggs’ Farm in Westfield.
The Route 66 Film Festival is in it’s 14th year and we are very honored to be a part of it! We are looking forward to experiencing this festival that claims to have “something for everyone” from shorts to features, experimental films to docs, local to international films.
On their Facebook page they state: “The general theme of our festival is journey, whether emotional, physical, spiritual or personal. We strive to introduce audiences to talented artists from around the world, as well as the American Midwest.”
Going to NAFF this weekend and want a teaser? Can’t get out there but want more COYOTE GIRL?
Boy, oh, boy are we excited to share this with you! With our SNAFF premiere behind us and playing again at NAFF this Sunday night, we thought now would be a great time to finally share with you the trailer for COYOTE GIRL.
Very proud to announce that we have been officially selected at the New Art Film Festival 2015 in Champaign, Illinois! Good news for our Mid-Western pals (and for us), y’all have another opportunity to catch a screening!
Our short film, COYOTE GIRL, will be playing amidst a select group of other locally made films on the evening of Sunday, October 4th, 2015 at The Art Theater Co-op. We are featured in the final film block, starting at 9pm.
Taking place amidst the twin cities of Champaign and Urbana, NAFF shares a hometown with the University of Illinois, as well as the Boneyard Arts, Ebertfest, and the Pens to Lens Festivals. We are honored to be a part of this art-film fest that aims to showcase the “unique collection of Illinois-produced independent films” at “one of the oldest, continually operation, purpose-built movie theaters in the United States.” The Art Theatre Co-op is a true community home, surviving it’s 102 years when in danger of closing, over 1,000 folks from near and far joined together to show their support and buy shares of the theatre, keeping it alive as a thriving co-op space.
Looking forward to being a part of such a history and hub for Art-Films in the heart of our country!
Stay tuned for the COYOTE GIRL trailer for your own viewing coming to the blog soon!
Our August #inspiringfellow article is a guest post by Artistic Director Robert Biggs:
Hello, Biggs here. Gail Shalan has been chief cook and bottle-washer for outcastcafe.com since Mighty Acorn put us on the digital map last October. She has blogged, posted, linked and promoted faithfully, trusting that you are out there and paying attention. Thanks for hanging out with us. Hope you are enjoying our story. Today I lift up Gail as Outcast Café’s Inspiring Fellow. Tenacious, smart, clever and kind, she inspires me as an actor, puppeteer, puppet maker and friend. Thanks, Gail. And congratulations on your role in THE WINTER’S TALE.
This month Gail has been playing Paulina/ Mopsa in Maiden Phoenix Theatre Company’s all-female production of The Winter’s Tale. This opportunity for Gail is close to our hearts because of our shared passion of the plays of William Shakespeare. Gail grew up watching Biggs breathe life into many of Shakespeare’s best characters, most distinctly his wonderful Fools. Biggs first directed Gail in an 8th grade production of Shakespeare’s A Midsummer Night’s Dream, then a year later in Twelfth Night. Throughout their time collaborating on Biggs’ own works, the delight and power of Shakespeare’s story telling arose again and again.Gail was able to work some of the skills she’s honed with Outcast Café into The Winter’s Tale, helping to devise and tune-up a puppetry approach to the infamous stage direction: exit pursued by a bear. This dynamic puppetry moment moved a patron to say “the way that famous stage direction… was staged in this production was amazing,and sure to be a “theater moment” that will linger in my mind for a long time to come” (Daniel Boudreau, MPTC Event Page).
We celebrate Gail’s hard work with the Maiden Phoenix Theatre Company, whose mission is to employ 51% females in all areas of production, actively working to change the gender disparity in our theatre scene. Having spent the better part of her life training and studying Shakespeare’s work, playing one of the most powerful and tenacious roles in Shakespeare marks a well-deserved right of passage.
She also doubles as the hilarious lady-clown, Mopsa, bringing the house to much needed laughter and delight, playing with her talented scene partners Allison Paige Gilman (Dorcas), Cassandra Meyer (Clown), and Sarah Mass (Autolycus) .
For one more weekend you can catch her performance for FREE at the Nathan Tufts Park right off of Powderhouse Circle in Somerville, MA.
As we move forward in our work this year and begin to stage the second play in our trilogy, Riley Ann Visits The Outcast Café, we wanted to give you readers a chance to check in with some of the amazing folks we had the privilege of working with on the several iterations of our first piece, The Dick and The Rose.
To kick us off, here’s a few words from the radiant Kelsey Jayne Hogan:
OC: Can you tell us a little about your initial collaboration with Outcast Café?
KJH: I remember getting an email from Biggs early into the new year. I had loved working with Biggs in my freshman year improv class. He introduced me to so many new forms of theatre and I had never felt more expressive. This opened my world. I had always been a bit reserved in auditions and life in general, Biggs was the opposite. Larger than life with an ability to express the deepest emotions. I admired him as an artist, professor, and person. When I learned he wanted to work with ME, I was shocked and looked forward to getting to work.
OC: Sounds exciting! What was it like, bringing to life the work of your mentor? How was the rehearsal process? And what was the Edinburgh Fringe like?
It was hot, but magical in the Berkshires. That first summer with Gail, Emma, and Dylan as my fellow Ministering Angels was incredible. Being under a sticky sweaty parachute with puppets really does create a bond that can’t be broken easily (really the entire cast spent a lot of time under there and we loved each other in spite of our smells). There were days that felt like we were swimming through the air and I was excited to get to Edinburgh with its cooler forecast.
Traveling there was another adventure all together…I suppose this show was really entirely one huge adventure with millions of others taking place inside of it. A night spent in London’s Heathrow, an amazing flat, the pubic triangle, flirting with the coffee shop boy down the street, making friends with our venue managers, telling dead baby jokes to passersby, handing out hundreds of flyers, scotch lessons from my dad, ACDC karaoke, and performing a wildly fun, dark, and entertaining show…Edinburgh Fringe was a delight and ended way too soon.
OC: Indeed, it was. But we were lucky enough to have you with us again in 2012.
KJH: Yes, the following year I received another email from Biggs, we were going to New York. I was thrilled. The play had evolved and so had the cast and crew. I was reunited with my puppet (Bob) and introduced to our new ministering angels. It was a great evolution. We clicked again (I am convinced that parachute makes you friends for life). Bob (my puppet) often had a lot to say. One of my distinct memories was Biggs pulling me aside to tell me “You don’t even realize you are talking when you have your puppet with you, but you need to tell him to pull back a bit”. It was a realization that masks and puppets have a life of their own, it was what truly made me appreciate the art form. Bob did need to pull back and he did.
We had a great time experiencing the NY Artist lifestyle. We had a small apartment and I chose the smallest room (I could touch both walls at the same time). That summer the show really hit a stride, and we got to see other fantastic shows.Performing in the Cherry Lane Theater was an experience I will never forget.
OC: Neither will we! You were such an important part of the experience both times around. It was a pleasure to work with you and we miss your enthusiastic and collaborative presence in the rehearsal room. You’ve had a big journey since we parted ways 3 years ago (!!). Could you tell us a little about what you’ve been up to?
KJH: Of course. A lot of time has passed since then. I truly miss it everyday. It was a time in my life that I was incredibly passionate and excited to get up every morning to create something and be around and connect to other artists. Though I still perform here and there and write when I take the time for myself, I have now moved back to the west coast.
After graduating from Emerson I moved to Washington D.C. and took a year long internship in devlopment and administration with Woolly Mammoth. It was great experience and I found a way to soothe my creative mind in an office by taking on event planning. After a year there I moved back west and took a job with Berkeley Rep handling donor relations and assiting with events.
I just had a one year anniversary with this job, something I have never had! It is exciting and terrifying. I enjoy what I do, love the company and my co-workers, though it can feel a little monotonous not working under a hole-filled parachute with a 7ft penis puppet…I’m moving up in the company and starting in September will be the special events manager which I am very proud of and grateful for. I tend not to plan my life ahead of time; that must be the artist, nomadic soul in me.
OC: We, too, know that traveling spirit very well;) Congratulations on all your hard work and many accomplishments over the past few years! We are so proud of you. Anything else you’d like to treat our readers to? Big life lessons? One more laugh?
I do hope I can see Bob again…when you connect with a puppet it never really leaves you (and my non-puppeteer friends don’t get it). Having Biggs in my life, being a part of “The Dick and the Rose”, connecting with Tori, Caley, Dave, Ian, Ron, Dylan, Emma, Gail, Jenny, Jake, Evan, Barbara, Deborah (I know the list goes on, but for the sake of this sentence I’ll end it here) also will never really leave me. They pushed me to be better every day and make me who I am now. I don’t stay in a shell and won’t be reserved; my self-confidence has soared and I will be forever grateful for them.
The main lesson I learned is to take life by the 7ft. dick, if you will, and live your adventure.
For me, one of the most exciting elements of being a part of Coyote Girl: The Short Film was exploring the art of puppetry through the medium of film. Both forms of story telling are expressions that Biggs and I alike have little experience with compared to our work on stage as actors, but to which we both find a strong draw. For myself as an actor (and I believe for the writer/director in Biggs) film and puppetry, both, are facets of performance that illuminate a simplicity and honesty in our work. The expansion and contraction that comes with jumping from stage to screen and back again mirrors the transient nature of playing a story as an actor and puppeteer simultaneously. This passing through many veils, masks, forms, expressions to articulate a primal truth hits the core of what I understand Outcast Café to be, and what enables, in my opinion, good story telling.
So, in spite of often feeling like I was on a novice’s path to creating this piece, the sense of trust I harbor towards the risks of puppetry and working on film come almost innately in comparison to being an actor on stage. Perhaps this permission comes from this distance from the self/ego I’ve discussed before during our filming log. Both puppetry and working on film give me a greater sense of offering my energy and skill to aiding the story as a collaborator, rather than veering off into any abhorrently self-aware, self-centered, self-obsessed trap that I fear in acting.
Regardless, the challenge of puppetry on film was one that my mind may have been cautious about, but my heart was hungry for. Since the wrap of the film I’ve done a lot of wandering around on the internet looking into puppets on film. BAM and the Jim Henson Foundation hosted an entire event devoted to this art form through which I found March’s #inspiringfellow , Toby Froud, as well as many other talented artists. I’ve watched old Muppet re-runs, shadow puppet music videos, Labyrinth, and even Jaws with a whole new awareness and appreciation. I’m exceedingly excited to share the results of our work with the world and often wish to thank Coyote himself as a trusted collaborator, but in the meantime I want to share a very exciting discovery I made recently:
On the world wide web exists a place that features incredible short films of all types and has an entire category labeled “Puppetry”. This place is called “Short of the Week”. In celebration of our upcoming short film with puppets, I want to share a couple treats from “Short of the Week” that I find have something in common with Coyote Girl. Sometimes it’s stylistic, sometimes it’s subject matter, and sometimes it’s just the joy of puppets! And after you’ve watched these goodies, browse the site for hundreds of other awesome short films.