We are delighted to announce we have been officially selected to screen at the Cinema on the Bayou Festival on Saturday, January 28th at 10:30 a.m. as a part of the Narrative Shorts Series! The COTB Fest takes place in Lafayette, Louisiana and COYOTE GIRL will be screened at the Acadiana Center for The Arts.
It’s truly an honor to be screened at a festival that “is committed to presenting nationally and internationally acclaimed documentary and narrative fiction films and filmmakers with truly original voices. ” We are proud to be considered in such good company… And we must say, the COTB Fest promises to be a blast:
“…screening new, cutting edge, fiction and non-fiction films from around the world in a relaxing environment, laced and embellished with Cajun culture’s unique identity markers, exquisite cuisine and great music. We screen uncompromising, thought-provoking films that make us laugh and cry; engage in serious discussions about matters important to independent filmmakers; and have a lot of fun and good times with old friends and make important connections with new friends who share our commitment to quality film. “
The festival is in it’s 12th year and has selected quite an inspiring array of films. We hope that if you can, you’ll make it to the screening of our little film named “Best Experimental Film” at the Boston International Film Festival, and join in on the vibrant range of art and culture of Lafayette!
Tickets are now up for sale on the BIFF website. We are session 17 on April 16th at 9pm. We will be screened at The Paramount Center: Bright Family Room (559 Washington Street, Boston MA) along with two other films addressing terminal illness/dementia.
Buy your tickets to COYOTE GIRL (17 min), as well as His Last Game (9 min) and It Snows All The Time ( 90 min) here: TICKET LINK
After several wonderful Mid-Western festivals near our shoot location (and our Westfield friends & family) we’re delighted to have the opportunity to screen in our home state of Massachusetts.
The festival promises a diverse crowd of inspiring fellows : ” … a festival dedicated to rewarding artists for their individual talents and for their creative expression through the medium of film. The festival strives to bring together in Boston local, national and international filmmakers by promoting the world’s most artistic and creative independent and experimental films.”
On BostonIFF’s welcome page Governor Baker says, “The Boston International Film Festival celebrates those artists who, through the power of cinema, capture our imagination to make us laugh and cry, think and change” and Festival Founder, Patrick Jerome, says, “The filmmakers will be sharing their diverse and powerful visions of humanity. Our greatest hope is that through these films the audience will be inspired and encouraged to embrace all the world’s cultural diversity and work towards a more understanding, peaceful world.” Sounds pretty great to us!
If you’ve been following us on instagram or twitter, you may already be acquainted with our newest addition to the Coyote family: Foxy!
Jen Vargas will be puppeteering Foxy the Coyote in our upcoming production of Riley Ann Visits The Outcast Cafe and has been getting acquainted with her (as we finish building her) during our workshop these past few weeks.
Last week Jen took Foxy on a field trip to The Big Apple! Here’s a little photo journal of the experience:
Very proud to announce that we have been officially selected at the New Art Film Festival 2015 in Champaign, Illinois! Good news for our Mid-Western pals (and for us), y’all have another opportunity to catch a screening!
Our short film, COYOTE GIRL, will be playing amidst a select group of other locally made films on the evening of Sunday, October 4th, 2015 at The Art Theater Co-op. We are featured in the final film block, starting at 9pm.
Taking place amidst the twin cities of Champaign and Urbana, NAFF shares a hometown with the University of Illinois, as well as the Boneyard Arts, Ebertfest, and the Pens to Lens Festivals. We are honored to be a part of this art-film fest that aims to showcase the “unique collection of Illinois-produced independent films” at “one of the oldest, continually operation, purpose-built movie theaters in the United States.” The Art Theatre Co-op is a true community home, surviving it’s 102 years when in danger of closing, over 1,000 folks from near and far joined together to show their support and buy shares of the theatre, keeping it alive as a thriving co-op space.
Looking forward to being a part of such a history and hub for Art-Films in the heart of our country!
Stay tuned for the COYOTE GIRL trailer for your own viewing coming to the blog soon!
We’re back this #ThrowbackThursday with another #FeaturedFriend! Last month we began a series of interviews with past artists who have come through the Outcast Café. We are delighted to catch you up on their journeys since parting ways and to share a few of their fond memories from their time with us. If you missed our first Featured Friend, Kelsey Hogan, you can check out her interview here.
This month is a special treat as we introduce Jennifer Vargas, one of our Ministering Angels from The Dick and The Rose NYFringe tour in 2012. We are pleased to welcome Jen back to the company this fall as MA (Ministering Angel- solo that is) in our workshop of Riley Ann Visits the Outcast Café. We invite you to enjoy Jennifer’s brilliance right along with us:
OC: Welcome back, Jenny! We’re so happy to have you in the rehearsal space again. Can you take us down memory lane? Tell us a little about your initial collaboration with Outcast Café:
JV: I was attending NYU Tisch for Drama and Barbara Allen was a clowning teacher of mine. It was my favorite class and I asked her if she knew of any other clowning opportunities in the city. Barbara later reached out to me about a show she was choreographing and she told Biggs about me. I auditioned for him and the rest, as they say, is history.
OC: A history we remember fondly! It was such a joy to have you join the team. What was one of your favorite memories from the summer of 2012?
JV: I have so many! One of my favorites was just working with the Ministering Angels. I was the youngest of the four and I never felt like I was underestimated. We all took good care of each other. We also had a lot of fun behind the scenes (and beyond the drape).
OC: Indeed, we did. Getting to show you the Berkshires was a pleasure, and once we arrived on your turf, New York City, it was great for the non-NYC based members of the company to have someone who knew the ropes. We’d love to know what you’ve been working on since we last saw you. When you’re not workshopping in the Berkshires with us, we can still find you in New York, right?
JV: Right. I just graduated from NYU Tisch with my BFA in Drama. I also wrote, performed, and directed my very own piece called An Afternoon Visit; or otherwise known as Pussy. Since then, I’ve officially moved to New York City and have been auditioning. I’m also in the process of writing a web-series, which will hopefully start filming in the next couple of months.
OC: Wow! We are so proud of your hard work and accomplishments. We love collaborating with such a driven and creative artist. Are there any thoughts, feelings you want to share about diving into another show with us?
JV: I’m about to be a part of the cast for Riley Ann Visits…, which I am very excited for!! Every time I get in the room with the puppet babies, there are so many new characters to meet and stories to explore. I can’t wait to start working on the new coyote puppets and exploring the depth of the story of Riley Ann Visits The Outcast Café.
And what an exploration it is becoming! We are now a week into our process out here in the peaceful and creatively nurturing Berkshire hills and are discovering lots of new information about our story as well as developing a heightened puppetry vocabulary. Stay tuned for more tidbits and pictures from our process soon! Go ahead and follow our Facebook, twitter, and instagram accounts for frequent updates.
Our August #inspiringfellow article is a guest post by Artistic Director Robert Biggs:
Hello, Biggs here. Gail Shalan has been chief cook and bottle-washer for outcastcafe.com since Mighty Acorn put us on the digital map last October. She has blogged, posted, linked and promoted faithfully, trusting that you are out there and paying attention. Thanks for hanging out with us. Hope you are enjoying our story. Today I lift up Gail as Outcast Café’s Inspiring Fellow. Tenacious, smart, clever and kind, she inspires me as an actor, puppeteer, puppet maker and friend. Thanks, Gail. And congratulations on your role in THE WINTER’S TALE.
This month Gail has been playing Paulina/ Mopsa in Maiden Phoenix Theatre Company’s all-female production of The Winter’s Tale. This opportunity for Gail is close to our hearts because of our shared passion of the plays of William Shakespeare. Gail grew up watching Biggs breathe life into many of Shakespeare’s best characters, most distinctly his wonderful Fools. Biggs first directed Gail in an 8th grade production of Shakespeare’s A Midsummer Night’s Dream, then a year later in Twelfth Night. Throughout their time collaborating on Biggs’ own works, the delight and power of Shakespeare’s story telling arose again and again.Gail was able to work some of the skills she’s honed with Outcast Café into The Winter’s Tale, helping to devise and tune-up a puppetry approach to the infamous stage direction: exit pursued by a bear. This dynamic puppetry moment moved a patron to say “the way that famous stage direction… was staged in this production was amazing,and sure to be a “theater moment” that will linger in my mind for a long time to come” (Daniel Boudreau, MPTC Event Page).
We celebrate Gail’s hard work with the Maiden Phoenix Theatre Company, whose mission is to employ 51% females in all areas of production, actively working to change the gender disparity in our theatre scene. Having spent the better part of her life training and studying Shakespeare’s work, playing one of the most powerful and tenacious roles in Shakespeare marks a well-deserved right of passage.
She also doubles as the hilarious lady-clown, Mopsa, bringing the house to much needed laughter and delight, playing with her talented scene partners Allison Paige Gilman (Dorcas), Cassandra Meyer (Clown), and Sarah Mass (Autolycus) .
For one more weekend you can catch her performance for FREE at the Nathan Tufts Park right off of Powderhouse Circle in Somerville, MA.
As we move forward in our work this year and begin to stage the second play in our trilogy, Riley Ann Visits The Outcast Café, we wanted to give you readers a chance to check in with some of the amazing folks we had the privilege of working with on the several iterations of our first piece, The Dick and The Rose.
To kick us off, here’s a few words from the radiant Kelsey Jayne Hogan:
OC: Can you tell us a little about your initial collaboration with Outcast Café?
KJH: I remember getting an email from Biggs early into the new year. I had loved working with Biggs in my freshman year improv class. He introduced me to so many new forms of theatre and I had never felt more expressive. This opened my world. I had always been a bit reserved in auditions and life in general, Biggs was the opposite. Larger than life with an ability to express the deepest emotions. I admired him as an artist, professor, and person. When I learned he wanted to work with ME, I was shocked and looked forward to getting to work.
OC: Sounds exciting! What was it like, bringing to life the work of your mentor? How was the rehearsal process? And what was the Edinburgh Fringe like?
It was hot, but magical in the Berkshires. That first summer with Gail, Emma, and Dylan as my fellow Ministering Angels was incredible. Being under a sticky sweaty parachute with puppets really does create a bond that can’t be broken easily (really the entire cast spent a lot of time under there and we loved each other in spite of our smells). There were days that felt like we were swimming through the air and I was excited to get to Edinburgh with its cooler forecast.
Traveling there was another adventure all together…I suppose this show was really entirely one huge adventure with millions of others taking place inside of it. A night spent in London’s Heathrow, an amazing flat, the pubic triangle, flirting with the coffee shop boy down the street, making friends with our venue managers, telling dead baby jokes to passersby, handing out hundreds of flyers, scotch lessons from my dad, ACDC karaoke, and performing a wildly fun, dark, and entertaining show…Edinburgh Fringe was a delight and ended way too soon.
OC: Indeed, it was. But we were lucky enough to have you with us again in 2012.
KJH: Yes, the following year I received another email from Biggs, we were going to New York. I was thrilled. The play had evolved and so had the cast and crew. I was reunited with my puppet (Bob) and introduced to our new ministering angels. It was a great evolution. We clicked again (I am convinced that parachute makes you friends for life). Bob (my puppet) often had a lot to say. One of my distinct memories was Biggs pulling me aside to tell me “You don’t even realize you are talking when you have your puppet with you, but you need to tell him to pull back a bit”. It was a realization that masks and puppets have a life of their own, it was what truly made me appreciate the art form. Bob did need to pull back and he did.
We had a great time experiencing the NY Artist lifestyle. We had a small apartment and I chose the smallest room (I could touch both walls at the same time). That summer the show really hit a stride, and we got to see other fantastic shows.Performing in the Cherry Lane Theater was an experience I will never forget.
OC: Neither will we! You were such an important part of the experience both times around. It was a pleasure to work with you and we miss your enthusiastic and collaborative presence in the rehearsal room. You’ve had a big journey since we parted ways 3 years ago (!!). Could you tell us a little about what you’ve been up to?
KJH: Of course. A lot of time has passed since then. I truly miss it everyday. It was a time in my life that I was incredibly passionate and excited to get up every morning to create something and be around and connect to other artists. Though I still perform here and there and write when I take the time for myself, I have now moved back to the west coast.
After graduating from Emerson I moved to Washington D.C. and took a year long internship in devlopment and administration with Woolly Mammoth. It was great experience and I found a way to soothe my creative mind in an office by taking on event planning. After a year there I moved back west and took a job with Berkeley Rep handling donor relations and assiting with events.
I just had a one year anniversary with this job, something I have never had! It is exciting and terrifying. I enjoy what I do, love the company and my co-workers, though it can feel a little monotonous not working under a hole-filled parachute with a 7ft penis puppet…I’m moving up in the company and starting in September will be the special events manager which I am very proud of and grateful for. I tend not to plan my life ahead of time; that must be the artist, nomadic soul in me.
OC: We, too, know that traveling spirit very well;) Congratulations on all your hard work and many accomplishments over the past few years! We are so proud of you. Anything else you’d like to treat our readers to? Big life lessons? One more laugh?
I do hope I can see Bob again…when you connect with a puppet it never really leaves you (and my non-puppeteer friends don’t get it). Having Biggs in my life, being a part of “The Dick and the Rose”, connecting with Tori, Caley, Dave, Ian, Ron, Dylan, Emma, Gail, Jenny, Jake, Evan, Barbara, Deborah (I know the list goes on, but for the sake of this sentence I’ll end it here) also will never really leave me. They pushed me to be better every day and make me who I am now. I don’t stay in a shell and won’t be reserved; my self-confidence has soared and I will be forever grateful for them.
The main lesson I learned is to take life by the 7ft. dick, if you will, and live your adventure.
For me, one of the most exciting elements of being a part of Coyote Girl: The Short Film was exploring the art of puppetry through the medium of film. Both forms of story telling are expressions that Biggs and I alike have little experience with compared to our work on stage as actors, but to which we both find a strong draw. For myself as an actor (and I believe for the writer/director in Biggs) film and puppetry, both, are facets of performance that illuminate a simplicity and honesty in our work. The expansion and contraction that comes with jumping from stage to screen and back again mirrors the transient nature of playing a story as an actor and puppeteer simultaneously. This passing through many veils, masks, forms, expressions to articulate a primal truth hits the core of what I understand Outcast Café to be, and what enables, in my opinion, good story telling.
So, in spite of often feeling like I was on a novice’s path to creating this piece, the sense of trust I harbor towards the risks of puppetry and working on film come almost innately in comparison to being an actor on stage. Perhaps this permission comes from this distance from the self/ego I’ve discussed before during our filming log. Both puppetry and working on film give me a greater sense of offering my energy and skill to aiding the story as a collaborator, rather than veering off into any abhorrently self-aware, self-centered, self-obsessed trap that I fear in acting.
Regardless, the challenge of puppetry on film was one that my mind may have been cautious about, but my heart was hungry for. Since the wrap of the film I’ve done a lot of wandering around on the internet looking into puppets on film. BAM and the Jim Henson Foundation hosted an entire event devoted to this art form through which I found March’s #inspiringfellow , Toby Froud, as well as many other talented artists. I’ve watched old Muppet re-runs, shadow puppet music videos, Labyrinth, and even Jaws with a whole new awareness and appreciation. I’m exceedingly excited to share the results of our work with the world and often wish to thank Coyote himself as a trusted collaborator, but in the meantime I want to share a very exciting discovery I made recently:
On the world wide web exists a place that features incredible short films of all types and has an entire category labeled “Puppetry”. This place is called “Short of the Week”. In celebration of our upcoming short film with puppets, I want to share a couple treats from “Short of the Week” that I find have something in common with Coyote Girl. Sometimes it’s stylistic, sometimes it’s subject matter, and sometimes it’s just the joy of puppets! And after you’ve watched these goodies, browse the site for hundreds of other awesome short films.